
Volume 1 Number 2 Summer
1998
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Author Bios
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Articles
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E. San Juan, Jr. will assume this August the chairmanship
of the Department of Comparative American Cultures, Washington State
University, Pullman. He has taught previously at the University of California
and the University of Connecticut. Among his recent books are the multi-awarded
Racial Formations/Critical Transformations; The Phillippine
Temptation; Hegemony and Strategies of Transgression; From
Exile to Diaspora; and Beyond Postcolonial Theory. He was
a fellow at the Institute of Humanities, University of Edinburgh, and
visiting professor of English at the Universita degli studi di Trento,
Italy.
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Transforming Identity
in Postcolonial Narrative: An Approach to the Novels of Jessica Hagedorn
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Elizabeth Rich is a doctoral graduate and
teaching fellow at Duquesne University in Pittsburgh, Pennsylvania.
Her dissertation, entitled "After the Fact: Cultural Authority and Historical
Document in Recent Literature," focuses on the uses of historical documents
in historiographic metafiction as a means grounding literary projects
that employ postmodern aesthetics in material and political contexts.
She has presented at several conferences on writers such as Margaret
Atwood, Toni Morrison, John Dos Passos, Jean Toomer, and Susan Howe.
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Disciplined Identities:
Western Author(ity) in Crisis in Penelope Lively's Cleopatra's Sister
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Jonathan L. Beller is Research Fellow at
History of Consciousness, University of California, Santa Cruz. He also
teaches in American Studies and Film and Video at UCSC. His work on
visual culture has appeared in Postmodern Culture, Creative
Screenwriting, Communication Research, and boundary 2.
He is co-editor of Polygraph 8: New Metropolitan Forms, as well
as a frequent contributor to The Philippine Daily Inquirer.
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Identity Through Death/The
Nature of Capital: The Media-Enviornment for Natural Born Killers
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Gregory J. Reid is the Deputy Chair (responsible
for English studies) of the Département des lettres et communications
of the Université de Sherbrooke. He is a member of a research
team developing an online bibliography of studies in Comparative Canadian
Literature. His other research interests include Engligh theatre in
Quebec, the polarities of orality and visuality, and the literary history
of tragedy and madness. He has published comparisons of Michel Tremblay
and Robertson Davies and of Anne Hébert and William Faulkner
in Studies in Canadian Literature.
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Constructing English
Quebec Ethnicity: Colleen Curran's Something Drastic and Josée
Legault's L'invention d'une minorité: Les Anglos-Québécois
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Jeffrey Arnold Shantz is a doctoral candidate
in Sociology at Carleton University in Ottawa, Canada. His research
interests include radical ecological politics, revolutionary syndicalism,
social movements, work abolitionism, critical geopolitics and Second
International Marxism. His dissertation involves urban anarchist movements
in North America. He is co-founder of the Situationist-inspired Critical
2 at Carleton
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"Don't Go in the
Pit": Active Resistance and the Territories of Political
Identity
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Jeffrey Roessner received both an M.F.A. in Creative Writing
and a Ph.D. in English from the University of Notre Dame in 1998. His
research interests include issues of national identity, tradition, and
intertextuality in historical works by contemporary British writers
such as John Fowles, Jeanette Winterson, and Martin Amis.
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God Save the Canon:
Tradition and the British Subject in Peter Ackroyd's English Music
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Michael Barry (barrymg@udmercy.edu)
is an as-siant professor at the University of Detroit Mercy. He has
taught in both the People's Republic of China and in Turkey. He is currently
at work on questions of aesthetics and politics in Modern American literature.
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Book Reviews: The Hermeneutic
Onion
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